Performance and De-synchronization: Opening the Past in Contemporary Indian Photography
Dec
8
5:30 PM17:30

Performance and De-synchronization: Opening the Past in Contemporary Indian Photography

Approaching work by Pushpamala N, Waswo X. Waswo, Olivier Culmann, Gauri Gill, Suresh Punjabi, Naresh Bhatia and Cop Shiva this talk explores deliberately belated copies and strategies of de-synchronization which split open the past, exploring an “evasive” doubled time, in order to complicate the future. 

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Destroying the Negatives: M.N. Srinivas, India’s Villages, and Photography
Oct
1
3:00 PM15:00

Destroying the Negatives: M.N. Srinivas, India’s Villages, and Photography

This lecture examines M.N. Srinivas' recounting of the role of the camera in Rampura, and the relationship of photography to memory, evidence and politics, before moving to a very different village in central India whose recent and current fixation with the camera, and what it makes visible and permanent, will be explored.

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Jun
23
3:00 PM15:00

'Concluding Comments' in 'From Home Movies to Homs: The Past and Present of Amateur Media'

From Home Movies to Homs: The Past & Present of Amateur Media is a 3-part series of events that will bring together anthropologists, artists, film and media scholars, and researchers to trace the historical trajectory of the amateur film, and to explore its current status. Amateur film now saturates online media discourse, and the moving image is a medium of choice for social communication, personal memory, and documentary record. Diffuse mobile communication networks and new film technologies, in particular the camera phone, are reshaping the formal language of the moving image and refashioning the representation, mediation, even construction of the self. Every camera phone owner is now a potential film-maker, frontline reporter, witness and surveillance node, and privately made film now has the power to shape public understanding of events on an unprecedented scale. Through screenings, presentations and open discussion, the sessions seek to outline the transformation of the amateur film from a private pastime to a key component of social media communication, news content and political action. The workshops are led by Noah Angell, Francis Gooding, and Lee Grieveson, but will include contributions from other scholars, artists, and media makers; they will feature extracts from various collections as well as from the film Lux Imperium, currently being made by Angell and Gooding.

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